La Monnaie - Wikipedia. The Th. Both of its names translate as Royal Theatre of the Mint. Today the National Opera of Belgium, a federal institution, takes the name of the theatre in which it is housed. Therefore, la Monnaie or de Munt refers both to the structure as well as the opera company. As Belgium's leading opera house it is one of the few cultural institutions which receives financial support from the federal government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Op. The foyer and auditorium date from 1. The theatre of Gio- Paolo Bombarda, 1. El Teatro Real de la Moneda (en neerland Histoire de la monnaie belge: les pi Piece et monnaie euro, monnaies de collection 2 euro commmmemorative 2004 It was built on the site of a building that had served to mint coins. The name of this site la Monnaie (. The construction of the theatre had been ordered by Maximilian II Emanuel, Elector of Bavaria, at that time Governor of the Habsburg Netherlands. The Elector had charged his . The date of the first performance in 1. The first performance mentioned in the local newspaper was Jean- Baptiste Lully's, Atys, which was given on 1. November 1. 70. 0. The French operatic repertoire would dominate the Brussels stage throughout the following century, although performances of Venetian operas and other non- French repertoire were performed on a regular basis. Until the middle of the 1.
By the 1. 8th century la Monnaie was considered the second French- speaking stage after the most prominent theatres in Paris. Under the rule of Prince Charles Alexander of Lorraine, who acted as a very generous patron of the arts, the theatre greatly flourished. At that time it housed an opera company, a ballet and an orchestra. The splendour of the performances diminished during the last years of the Austrian rule, due to the severe politics of the Austrian Emperor Joseph II. After 1. 79. 5, when the French revolutionary forces occupied the Belgian provinces, the theatre became a French Departmental institution. Amongst other cuts in its expenses, the theatre had to abolish its Corps de Ballet. During this period many famous French actors and singers gave regular performances in the theatre during their tour of the provinces of the Empire. Still a consul, Napoleon on his visit to Brussels judged the old theatre too dilapidated for one of the most prestigious cities of his Empire. He ordered plans to replace the old building by a new and more monumental edifice, but nothing was done during the Napoleonic rule. Finally, the plans were carried out under the auspices of the new United Kingdom of the Netherlands and the Bombarda building was demolished in 1. The theatre of Louis Damesme, 1. Unlike the Bombarda building, which was situated along the street and completely surrounded by other buildings, the new theatre was placed in the middle of a newly constructed square. This gave it a more monumental appearance, but it was primarily the result of safety concerns since it was more accessible to firemen, reducing the chance that fire would spread to surrounding buildings. The new auditorium was inaugurated on 2. May 1. 81. 9 with the opera La Caravane du Caire by the Belgian composer Andr. The theatre came under the supervision of the city of Brussels, which had the right to appoint a director charged with the management its management. In this period famous actors like Fran. The Corps de Ballet was reintroduced and came under the supervision of the dancer and choreographer Jean- Antoine Petipa, father of the famous Marius Petipa. La Monnaie would play a prominent role in the formation of the Kingdom of Belgium. Daniel Auber's opera La Muette de Portici was scheduled in August 1. King William II, fearing its inciting content. CHARLEMAGNE est ainsi nomm. La pipe ne quitte point cette bouche, une longue pipe recourb At a performance of this opera on the evening of 2. August 1. 83. 0, a riot broke out which became the signal for the Belgian Revolution and which led to Belgian independence. The Damesme building continued to serve for more than two decades as Belgium's principal theatre and opera house until it burnt to the ground on 2. January 1. 85. 5 leaving only the outside walls and portico. The theatre of Joseph Poelaert, since 1. The auditorium (with 1,2. Eclectic Style; a mixture of Neo- Baroque, Neo- Rococo and Neo- Renaissance Styles. The lavish decoration made excessive use of gilded . The auditorium was lit by the huge crystal chandelier that today still hangs in the centre of the domed ceiling. It is made of gilded bronze and venetian crystals. The original dome painting - representing . In 1. 88. 7 this dome painting was completely repainted by Auguste- Alfred Rub. This dome painting stayed untouched until 1. Belgian painter Xavier Crolls. From 1. 98. 8 until 1. Rub. In 1. 99. 9, it was reinstated and decorates today one of the most beautiful opera houses of Europe. The sober whitewashed exterior we see today was done many decades later. Poelaert never intended to whitewash these outer walls. In 1. 85. 6, the exterior did not have any whitewashing at all, which is proved by many photographs of that time. The new Th. In the middle of the 1. French composers such as Hal. By 1. 98. 5 it was determined that complete renovation was needed. Features such as raising the roofline by 4 metres and scooping out the stage building area - in addition to creating a steel frame to strengthen the load- bearing walls and increasing backstage space - characterized this two- year project. However, the red and gold auditorium remained basically the same. The canvas of the ceiling painting was temporarily removed for restoration and only put back in 1. It was temporarily replaced by a copy in much brighter colors that was painted directly on the stucco ceiling. The entrance hall and the grand staircase underwent a radical makeover, although original features such as the monument by Belgian sculptor Paul Du Bois honouring manager and musical director Dupont (1. Emile Fabry were preserved. He asked two American artists to make a contribution: Sol Le. Witt designed a fan- shaped floor in black and white marble, while Sam Francis painted a triptych mounted to the ceiling. Vandenhove also designed a new interior decoration for the Salon Royal, a reception room connected to the Royal box. For this project he collaborated with the French artist Daniel Buren. Now seating 1,7. 00, the renovated theatre was inaugurated on 1. November 1. 98. 6 with a performance of Beethoven. In 1. 99. 8 the major part of the vacant Vanderborght Department Store building (c. Monnaie. The edifices were renovated and adapted to house the technical and administrative facilities of la Monnaie, previously spread all over the city. The building also contains large rehearsal halls for opera, the Malibran, and orchestra, the Fiocco. They can also be adapted for presenting public performances. Directors. Bernard Foccroulle succeeded Mortier in 1. Mortier had gained in the 1. The current general director is Peter de Caluwe. Music Directors of la Monnaie have always played a major role in the musical life of Belgium, since the orchestra also performed in regularly organised concerts, and the quality of the orchestra reached a peak at the end of the 1. Sylvain Dupuis. La Monnaie gave regular performances of the major works of Richard Wagner as well. During the late 1. French composers such as Jules Massenet and Vincent d'Indy directed the world premi. The high musical quality of renditions was maintained under Corneil de Thoran between the two World Wars, but diminished gradually from the 1. At the beginning of the 1. G. Antonio Pappano became music director in 1. In addition, Pappano made several recordings with the orchestra. He left in 2. 00. Music Director of the Royal Opera House, Covent Garden in London. Since 2. 00. 2, the Japanese conductor Kazushi Ono has served as music director. At the end of the 2. Ono was scheduled to relinquish his position as la Monnaie music director to Mark Wigglesworth, with Ono and Wigglesworth working together in the 2. Over the past decades Ren. Several members of the Petipa family left their mark in Brussels in the 1. In 1. 95. 9 director Maurice Huisman embarked on a cooperation with the young Avant- Garde choreographer Maurice B. This resulted in the creation of the new Ballet du XXi. In 1. 98. 8 Mortier engaged the New York choreographer Mark Morris and his Mark Morris Dance Group. For three years they were known as the Monnaie Dance Group Mark Morris. Morris directed several productions in Brussels until 1. Under Bernard Foccroulle, Anne Teresa De Keersmaeker and her company Rosas became the dance company in residence. Notable world premi.
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